In 2017, Jiazazhi published Feng Li's first monograph White Night, which assembled his color works from 2005 to 2015. Some years after this first edition was launched, comes Good Night, compiling Li's black-and-white photography, which stands as the starting point where the previous originated. From then on, the sense of “white night” comes to be his muse. “This is the way of the world, and it is a state of uncertainty”, he says.

From that moment, he always maintains an instinctive viewing and a direct way to shoot. Despite the difference in color between White Night and Good Night, there is still Feng Li’s way of seeing this world. He defines these photos as monochromatic instead of black-and-white in the traditional sense. In his eyes, black is more than just black. To him, this book is a farewell, farewell to the good old times.

Poster included.